VIRTUAL PRODUCTION
Thailand's hybrid virtual production studio — LED volume stage, real-time rendering, Lumia camera tracking, and a full technical crew ready to support any production format.
Virtual production replaces the traditional green screen compositing workflow with real-time LED backgrounds displayed on a large curved LED wall — called an LED volume — while the camera rolls. The background is physically present on set: it reflects onto actors, vehicles, and props, and responds to the camera in real time. The result is a final-pixel image captured in-camera rather than assembled in post.
A camera tracking system feeds live position data to a real-time rendering engine, which adjusts the perspective of the virtual environment as the camera moves. The background behaves like a physical location. Directors, cinematographers, and actors work in a real environment — not against a blank green wall — which fundamentally changes the creative dynamic on set.
The technology has been adopted by major film and television productions globally, and is now accessible to productions across Southeast Asia through Thailand's first dedicated hybrid virtual production stage — the Unsystem and Unformat studio partnership in Bangkok.
Every component of the virtual production pipeline integrates with open standards. No proprietary lock-in — the stack works with your existing production tools and evolves with the industry.
LED VOLUME
US-Series P1.9–P2.6 panels
Curved volume configuration
Flat ceiling extension available
7,680Hz+ refresh rate
CAMERA TRACKING
Lumia tracking system (in-house)
Sub-millisecond latency
Any cinema camera compatible
No dedicated operator required
REAL-TIME RENDERING
Unreal Engine integration
Notch & TouchDesigner support
Frame-accurate sync
Live content manipulation
SIGNAL & PROCESSING
Brompton-grade processing
NDI / SDI signal routing
Multi-camera support
Live compositing pipeline
The virtual production studio is a partnership between Unsystem and Unformat — Thailand's first purpose-built hybrid production facility combining world-class studio infrastructure with deep creative technology expertise. Unformat provides the physical stage and production facilities. Unsystem provides the technical infrastructure: LED system design, media server architecture, real-time rendering pipelines, and on-set crew.
Productions that previously required travelling to established VP facilities in Los Angeles, London, or Sydney can now be built and run in Bangkok at the same technical standard. The studio is available for long-term and project-by-project bookings.
Productions needing photorealistic location environments without the cost and logistics of remote location shooting.
Programmes requiring dynamic virtual set design, AR graphic integration, and broadcast-quality backgrounds.
Brand films and TVC productions that need elaborate visual environments within compressed timelines.
Artist-driven world-building where the visual environment is central to the creative concept.
High-production-value environments for keynote presentations, product launches, and brand storytelling.
Live events using the LED volume as an immersive backdrop for award shows, fashion events, and branded performances.
Virtual production is a filmmaking technique that replaces traditional green screen compositing with real-time LED backgrounds rendered during the shoot. A large curved LED wall — called an LED volume — displays photorealistic environments generated by a real-time rendering engine. Because the background is physically present on set, it reflects naturally onto actors, vehicles, and props, creating in-camera realism that is difficult or impossible to achieve in post-production compositing. Camera tracking systems like Lumia feed live camera position data to the rendering engine, which adjusts the parallax perspective in real time so the virtual background moves correctly as the camera moves. The result is a final image that often requires little to no compositing in post.
Virtual production typically has a higher on-set cost than traditional green screen, but this is offset by significant savings in post-production. Green screen requires extensive rotoscoping, colour correction, edge treatment, and background compositing — work that can represent 30–60% of total post-production spend on a VFX-heavy production. Virtual production dramatically compresses that workflow because the final-pixel image is captured in-camera. For productions with shorter post-production timelines, talent who prefer real environmental references, or projects requiring naturalistic lighting interactions, virtual production consistently delivers superior results at comparable or lower total production cost.
The studio is configured for the full range of content types that benefit from LED volume production: feature films and episodic television requiring location environments without location logistics, broadcast programmes needing dynamic virtual set design, commercials and brand films that require photorealistic environments, music videos needing elaborate world-building within a tight budget and timeline, and corporate and branded content requiring high-quality visual environments at scale. The studio can also support hybrid configurations — using the LED wall as a practical background element without full in-camera VFX tracking — for productions that need a production-value environment without a complex real-time pipeline.
The studio is equipped with Lumia, Unsystem's in-house camera tracking system. Lumia uses smart environment learning to build a spatial model of the stage automatically — no ground-truth calibration rituals, no tracking markers, no dedicated tracking operators. The compact Lumia unit mounts directly to any cinema camera — ARRI, RED, Sony, Blackmagic — and delivers sub-millisecond tracking latency to the rendering engine. Because Lumia works with any LED wall system and any media server, it integrates seamlessly whether the studio is running the US-Series LED wall with native processing or any other configuration.
Bookings begin with a production brief — your script or shot list, estimated shooting days, content requirements, and any specific technical needs. Our team at Unsystem and the studio partners at Unformat conduct a pre-production consultation to scope the system configuration, content pipeline, and crew requirements. For projects requiring custom 3D environments, we work with our content creation partners or can integrate with your existing VFX pipeline. Production prep typically begins 2–4 weeks before the shoot date. Contact us or visit the Unformat studio website to begin the booking process.
Walk the volume, see a real-time environment in action, and meet the technical crew. Studio tours are available by appointment and can be combined with a production brief session to scope your project.